Writer David Twohy was next to work on the project, being instructed to start with Gibson's script. Once the fall of Communism made the Cold War analogies outdated, Twohy changed his setting to a prison planet, which was being used for illegal experiments on the aliens for a Biological Warfare division.[16] Harlin felt this approach was too similar to the previous movies, and, tired of the development hell, walked out on the project, which led Fox to offer Harlin The Adventures of Ford Fairlane.[25]
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Both Gene Siskel and Roger Ebert gave the film two thumbs down on their show At The Movies, feeling it was repetitious, and they criticized the drawn-out chase scenes near the end as well as the lack of suspenseful action, though they praised the art direction and Weaver's performance.[54] In his review of Alien Resurrection, Ebert later wrote "I lost interest [in Alien 3], when I realized that the aliens could at all times outrun and outleap the humans, so all the chase scenes were contrivances".[55] He also would later state in his review of Fincher's Fight Club (1999) that he considered Alien 3 "one of the best-looking bad movies I've ever seen".[56]
Between "Alien" and "Aliens," 57 years passed, with Ellen Ripley in suspended animation. Between "Aliens" and "Alien3," she drifted through space in a lifeboat, before landing on a prison planet. In all three films she did battle with vile alien creatures constructed out of teeth, green sinew, and goo. In "Alien3" she told this life form: "I've known you so long I can't remember a time when you weren't in my life." I'm telling the aliens the same thing. This is a series whose inspiration has come, gone, and been forgotten. I'm aliened out. The fourth movie, depends on a frayed shoestring of a plot, barely enough to give them something to talk about between the action scenes. A "Boo Movie," Pauline Kael called the second one, because it all came down to aliens popping up and going "boo!" and being destroyed.
Now here is "Alien Resurrection." Ripley (Sigourney Weaver) is still the heroine, even though 200 years have passed since "Alien3." She has been cloned out of a drop of her own blood, and is being used as a brood mare: The movie opens with surgeons removing a baby alien from her womb. How the baby got in there is not fully explained, for which we should perhaps be grateful.
Ripley is first on a giant government science ship, then on a tramp freighter run by a vagabond crew. The monsters are at first held inside glass cells, but of course they escape (their blood is a powerful solvent that can eat through the decks of the ship). The movie's a little vague about Ripley: Is she all human, or does she have a little alien mixed in? For awhile we wonder which side she's on. She laughs at mankind's hopes of exploiting the creatures: "She's a queen," she says of the new monster. "She'll breed. You'll die." When the tramp freighter comes into play, we get a fresh crew, including Call (Winona Ryder), who has been flown all the way from Earth to provide appeal for the younger members of the audience. Ryder is a wonderful actress, one of the most gifted of her generation, but wrong for this movie. She lacks the heft and presence to stand alongside Ripley and the grizzled old space dogs played by Ron Perlman, Dominique Pinon, Dan Hedeya and Brad Dourif. She seems uncertain of her purpose in the movie, her speeches lack conviction, and when her secret is revealed, it raises more questions than it answers. Ryder pales in comparison with Jenette Goldstein, the muscular Marine who was the female sidekick in "Aliens." Weaver, on the other hand, is splendid: Strong, weary, resourceful, grim. I would gladly see a fifth "Alien" movie if they created something for her to do, and dialog beyond the terse sound bites that play well in commercials. Ripley has some good scenes. She plays basketball with a crew man (Perlman) and slams him around. When she bleeds, her blood fizzes interestingly on the floor--as if it's not quite human. She can smell an alien presence. And be smelled: Her baby recognizes her mother and sticks out a tongue to lick her.
These aliens have a lot of stuff in their mouths; not only the tongue and their famous teeth, but another little head on a stalk, with smaller teeth. Still to be determined is whether the littler head has a still tinier head inside of it, and so on. Like the bugs in "Starship Troopers," these aliens are an example of specialization. They have evolved over the eons into creatures adapted for one purpose only: To star in horror movies.
Mankind wants them for their genes? I can think of a more valuable attribute: They're apparently able to generate bio-mass out of thin air. The baby born at the beginning of the film weighs maybe five pounds. In a few weeks the ship's cargo includes generous tons of aliens. What do they feed on? How do they fuel their growth and reproduction? It's no good saying they eat the ship's stores, because they thrive even on the second ship--and in previous movies have grown like crazy on desolate prison planets and in abandoned space stations. They're like perpetual motion machines; they don't need input.
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